So I really did mean to write about the Oakland Food Policy Committee. Great group. Good thinkers, visionary and practical with a nice infusion of wit. However, time slipped away and by now I have attended my pig class. Luckily a nice write up was done of the OFPC,
click here to read.
OK- about pigs. A good friend and convert to urban farming, Conan, introduced me to TLC Ranch where they “work to raise healthy animals using beyond organic practices, to steward natural resources upon which we [all] depend, and to nourish people with incredible tasting food. [They] work to not only sell you products, but to educate you about animal husbandry practices.”
I pulled into the driveway of one of the TLC locations (apparently there are two) a 28 acre parcel where the farmers, Jim and Rebecca, reside with their child. Stepping out of my car I was greeted by a farm dog and sent a loose flock of chickens scattering. Two large pig pens were within sight. Large sows and a boar (uncastrated male) were lumbering around followed by clusters of colorful piglets.
In the distance was what looked like a well built lean-to with metal tables, a rope and pulley, a large metal drum, and a couple of men- an idyllic staging for what I had driven all the out to Aromas for, a pig slaughter. The two men turned out to be Jim Dunlop, farmer and co-owner of TLC Ranch and Lorin, charcutier and owner of Rib King Barbeque. They were boiling water in the large drum for when we would later dip the pig to remove hair and scurf.
My original purpose in attending the class was in preparation for a boar hunt I am determined to do. Luckily, the set up Jim and Lorin had were using tools that were designed to be portable for hunting, such a the below gambrel and pulley. The set up was surprisingly simple.


The small group attending gathered for introductions. It was a surprising mix of urban and suburban attendees (though this would be a tough activity in a suburban setting. all I have to say about that is lawn furniture).
Jim explained the ages, stages and diet of the pigs. The boar that would be killed and butchered was seven months and had fed on a diet of grain, pumpkins, and other produce. The boar was waiting in a trailer he was accustomed to travel in. The pigs go between farms to be fed different produce so the trailer is a welcome sight to them.
Jim offered the boar a last meal of kiwis and used a .22 caliber rifle pointed at the imaginary X crossing from ears to eyes. Jim shot and the pig was immediately down. No noise, no struggle. I’ll say now, I am posting limited photos of the postmortem pig. It was a solemn event that is by my values to be witnessed if one eats pig, but perhaps not viewed on a public forum.
The next step was to bleed the animal so Jim made a vertical incision just under the chin about 4 inches in length. He then reached through the incision and severed the jugular and carotid veins and inverted the pig. From there we schlepped the carcass to the 50 gallon drum of water at 150F to dunk and scald the outer skin. Lorin added soap to the drum at this stage to rinse the animal.

The scalding took three to five minutes at which point we got to work with bell scrapers to remove the hair (apparently boars are hairier than castrated males) and scurf.

Tough hair and facial hair was shaven off with a straight edged razor. Remaining hair was burned off with a torch.

At this stage the carcass and table were rinsed off and “dressing” begun. I recently watched a hunting education video on field dressing a boar. They had a different method. I am not sure what the benefit is in the way we did it (seemed a bit harder).
However, in both cases, the first thing to do is remove the pizzle. Jim did this to demonstrate that you have to “tease the pizzle” to remove any urine as boars have a strong musk in their urine is persistent and unpleasant if it contaminates the meat. So he grabbed hold and milked the urine out while spraying it away lightly with a garden hose. Once done, with light slices we cut down to the testicles and open the scrotal sac. With this done, an incision was made around the anus to loosen it and the rectum from the carcass.

We next sawed the sternum to access the upper cavity of the carcass. This is an apparently delicate process as you do not want to over exert pressure and cut through abdominal wall. This cut was made to align with the initial incision made along the neck.

Once this was done, the large tendons that run just behind the hind hooves were hooked to the gambrel and the boar was hoisted.

This last step of dressing was to neatly slice open the remaining skin/muscle between the upper and lower cuts made. The method Jim used was more about demonstration than efficiency. The linked field dressing video had a great method of covering the tip of the knife with your finger. Inserting the knife into the cavity and with your finger still over the point cutting along the abdominal cavity from the inside. With this last incision, gravity and light pulling does the rest of the work.
What you have left is a clean carcass with a head. After making a cut to severe the muscle of the head, Brian stepped in to do the last deed of snapping it off.

What we had at this point resembled what you can find at a butcher’s. The last cut for this portion of the class was made in sawing the carcass in two.

The carcass was rinsed. The class washed off and took a lunch break which featured the Rib Kings pulled pork sandwiches. After lunch we started the butchering for culinary use. Since I have covered this topic in my posts on the Poetry and Science of Meat and Pig Butchery, Among Other Things. I will say that in comparing cost of class and gained experience, I found the TLC class worth while since it was hands on. What I did gain from the 18 Reasons class on pig butchery was culinary preparations of the meat cuts (and seeing Morgan Maki in action which was great). We did not have time to discuss that at TLC.
The class was very straight forward, as are both Jim and Lorin. However, if you’d like to read an amazing post on the heritage of a pig preparing ritual, read Linda Colwell’s piece, Pig Kill.